Album Review: Kool & the Gang - Kool & the Gang (1969)

Author: Sonar  //  Category: Album Reviews, Music

I was going through some old funk albums this weekend, looking for the perfect beat as usual, and I ran across this old gem that I semi-forgot how some of the tracks sounded. So, I loaded it up on the decks and took a listen. From what I understand Kool and the Gang’s self released album was an unexpected success. After listening to their first single on the album, also self titled, it’s not hard to understand why this album was a success. The single climbed both pop and R&B charts at the time, reaching #19 on the R&B and #59 on the pop. Subsequent singles “The Gang’s Back Again,” “Let the Music Take Your Mind,” and “Funky Man,” followed and moved steadily up the charts. However, there were still many notable tracks such as “Raw Hamburger,” and “Chocolate Buttermilk.” This record is a total ruckus to listen to and contains the trademark styles of the band before the late disco era: smooth melodies, brassy horns, and funky-as-all-hell drumming. This album has stood up to the test of time and has been sampled by many early rap artists and is considered a classic in the eyes of the stoic vinyl collector and breaks from this album still surface in b-boy competitions across the world. I have listed the artists that sampled from this album below:

Song: Give it Up
A Tribe Called Quest - “Scenario”
Beastie Boys - “Professor Booty”
Compton’s Most Wanted - “Compton 4 Life”
Cypress Hill - “The Phuncky Feel One”
Deee-Lite - “Deee-Lite Theme”
Eric B and Rakim - “Don’t Sweat the Technique”
GangStarr - “Take a Rest”
Greg Osby - “3-D Lifestyles”
Lionrock - “Morning Will Come When I’m Not Ready”
MC Brains - “Everybody’s Talkin’ about MC Brains”
NWA - “Real Niggaz”
Organized Konfusion - “Intro”
Uptown - “Dope on Plastic”
X-Clan - “Shaft’s Big Score”

Song: Chocolate Buttermilk
Chubb Rock - “The Night Scene”
Eric B and Rakim - “Keep ‘em Eager to Listen”
Eric B and Rakim - “No Omega”
Heavy D - “Let it Flow”
Marley Marl - “Simon Says”
Masta Ace - “Simon Says”
Pete Rock & CL Smooth - “Straighten it Out”
Special Ed - “Ready 2 Attack”
SL2 - “On A Ragga Tip”
Stetsasonic - “The Hip Hop Band”
Style - “Set the Mood”
YBT - “Proud to Be Black”

Song: Let the Music Take Your Mind
Beastie Boys - “Lay it on Me”
Boss - “Process of Elimination”
Ice Cube - “AmeriKKKa’s Most Wanted”
Ice T - “Freedom of Speech”
Jungle Brothers - “What’s Going On?”
Ultramagnetic MCs - “MC Champion”

Song: Breeze & Soul
Dr. Octagon - “Bear Witness”
Jimmy Jay - “Les Cool Session”

 
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Jan 1st 09 Payday Podcast mixed by DJ Scrunchyface Flatbroke is now up

Author: Spaced Invaders  //  Category: Art, Just Blogging, Music, Past Events, Stone Groove

Flatbroke drops all b-boy classics in this one. It’s worth at least ten repeats before you go to sleep tonight. It’s really that good. I’m actually on my fourth time listening to it. Make sure you leave some comments for this guy letting him know how much you like his dusty crate digging.

 
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Rap music originated in medieval Scottish pubs, claims American professor

Author: Spaced Invaders  //  Category: Just Blogging, Music

Reposted from the telegraph

Professor Ferenc Szasz argued that so-called rap battles, where two or more performers trade elaborate insults, derive from the ancient Caledonian art of “flyting”.

According to the theory, Scottish slave owners took the tradition with them to the United States, where it was adopted and developed by slaves, emerging many years later as rap.

Professor Szasz is convinced there is a clear link between this tradition for settling scores in Scotland and rap battles, which were famously portrayed in Eminem’s 2002 movie 8 Mile.

He said: “The Scots have a lengthy tradition of flyting - intense verbal jousting, often laced with vulgarity, that is similar to the dozens that one finds among contemporary inner-city African-American youth.

“Both cultures accord high marks to satire. The skilled use of satire takes this verbal jousting to its ultimate level - one step short of a fist fight.”

The academic, who specialises in American and Scottish culture at the University of New Mexico, made the link in a new study examining the historical context of Robert Burn’s work.

The most famous surviving example of flyting comes from a 16th-century piece in which two rival poets hurl increasingly obscene rhyming insults at one another before the Court of King James IV.

Titled the Flyting Of Dunbar And Kennedy, it has been described by academics as “just over 500 lines of filth”.

Professor Szasz cites an American civil war poem, printed in the New York Vanity Fair magazine on November 9, 1861, as the first recorded example of the battles being used in the United States.

Professor Willie Ruff, of Yale University, agreed that Scottish slave owners had a profound impact on the development of African American music traditions.

Comparing flyting and rap battles, he said: “Two people engage in ritual verbal duelling and the winner has the last word in the argument, with the loser falling conspicuously silent.”